132,657 Free Images of Colored Engraving

etchings in the yale center for british artetchinghand-coloredyale center for british artjames gillrayisaac cruikshankrichard newton
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
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My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
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Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
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A Sphere, Projecting against a Plane ---, James Gillray, 1792
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Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
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Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
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No Reform, No Reform, Isaac Cruikshank, 1795
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Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
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Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
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Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
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Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
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The Prince at Grass --- The Prince in Clover, James Gillray, 1787
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Sin, Death, and the Devil, James Gillray, 1792
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Vices overlook'd in the New Proclamation, James Gillray, 1792
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Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
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Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
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Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
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The Friendly Agent, James Gillray, 1787
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Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
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Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
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The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
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A Salt Water Salute, Richard Newton, 1794
etchings in the yale center for british artrichard newton
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
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A Sketch from Highlife, Richard Newton, 1791
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Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
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The English Regency, James Gillray, 1789
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A Warm Birth for the Old Administration -----, James Gillray, 1783
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The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
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Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
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The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
Patriotism, Richard Newton, 1794
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Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
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The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
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The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
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Revolution, Isaac Cruikshank, 1790
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How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
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Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
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The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
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A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
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A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
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False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
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The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
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The Buck & the Goose, Isaac Cruikshank, 1801
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Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
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Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
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Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
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Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Corpor(e)al (!) Stamina., James Gillray, 1801
etchings in the yale center for british artjames gillray
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
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Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
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Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Salute, - Vide, The Parade, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Jack A Both Sides!, James Gillray, 1783
etchings in the yale center for british artjames gillray
Les Trois Magots, James Gillray, 1791
etchings in the yale center for british artjames gillray
Bloemstuk, RP-P-OB-24.684, Cornelis Ploos van Amstel, 1778
etchings in the rijksmuseum amsterdamcolored etchings
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
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Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
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The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
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The Dutch Divisions, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
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The Royal Society, James Gillray, 1786
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Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
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A Brace of Blessings, Isaac Cruikshank, 1796
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The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
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Pull Devil - Pull Parson, Richard Newton, 1795
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The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
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The Antiquities of Malmsbury, Isaac Cruikshank, 1792
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Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Patience on a Monument, James Gillray, 1791
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A Visit to the R---l Cole Pit, Richard Newton, 1791
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The Misers Economy, Richard Newton, 1794
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Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
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Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
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The Rival Pigs, Isaac Cruikshank, 1795
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The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
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Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798
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Prelude to Crim Con and The Finale, Richard Newton, 1793
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Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
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A Blow-up at Breakfast, Richard Newton, 1792
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La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
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An Astonishing Paragraph, Richard Newton, 1791
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A Flight of Parsons, Isaac Cruikshank, 1796
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The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
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Beheading (untitled), Richard Newton, 1796
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The Republican - Hercules Defending His Country, James Gillray, 1797
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The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
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The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
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The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
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The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
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